Showing posts with label Ben Nielsen. Show all posts
Showing posts with label Ben Nielsen. Show all posts

Tuesday, 30 April 2013

Stalker

The night was brisk, and having finished work at 11.30, I was tired and grumpy. I hurried to my car, and began the short drive home.

As I drove along Port Road, a white Mitsubishi began merging from the far right lane into my own. The car veered too soon, and what would have been a textbook merge soon became a near sideswipe. I clamped my hand upon the steering wheel, horn blaring, until the Mitsubishi retreated to its own lane.

I drove on, but some time later noticed that the car was behind me, tailgating with high beams on. I was not going to further provoke such stupid road rage, but the car continued behind me, following, turn after turn.

I drove down a maze of back streets, further away from my house, but it was stupid to think I could shake this car off. I approached Queen Street, well lit and lined with coffee shops and boutiques – all closed at this hour, of course. I planted my foot to the brake, and wrenched up the handbrake.

Keys still in the ignition, I pushed my door open, jumped out and walked towards the Mitsubishi. Only when I was several metres away did I realise that my pursuers were four girls, probably younger than me.

The driver did not wind down her window, so instead I raised my voice demandingly.

“Do you have a problem? I’ve got your rego and I won’t hesitate to call the police.”

“You can’t park here, you know.”

It was true; I had stopped in the very middle of the road. The whining response was hardly an explanation though, so I announced again that I would call the police.

Besides advising me to report the incident, the police were useless. The car had sped away and thus no further action could be taken. I was shaken and reluctant to go home, and it wasn’t until later that I rationally concluded that the four stalkers had likely been intoxicated, and were youngsters just out to cause trouble.

The next day, I reported the incident to the police. The officer who recorded my details was dismissive and uninterested. He took my details not on a computer nor an official document, but a small, torn scrap of paper.

“If action was taken for every conflict on the road, there would be too much work for us. Also, there are always two sides to a story. There’s no point following it up.”

The condescension was unmistakeable, oozing from the officer’s voice and inscribed upon his face.

Surely this testosterone fuelled young man provoked the girls. He and his mates probably inflamed the situation. Maybe he’s submitting a false report to cause the girls a bit of trouble.

Of course, I had forgotten that women constitute the position of a minority group, whereas men are the more dominant majority. I should have remembered that women have an unwavering domestic preoccupation and an innate submissive character, and that men are aggressive and misogynistic.

Hang on. I’m confused. Where did societal development disappear to? No longer does the male hunt and the female gather, and yet judging by the officer’s response, the legitimacy of the incident I reported seemed to be dictated by institutionalised gender stereotypes.

Sex, gender and sexuality should not define someone nor dictate their character. Cultural background, beliefs, perceptions and personal experiences play a much larger role, but one should not be discriminated on such.

Stereotypical qualities are simply developed in response to conditioning and social discrimination; for a man to be male he must be masculine, and to hell with the spectrum in between. In an ideal world, biological differences would not be used as a justification to shackle us into specific roles. If this were the case, I’m sure that true diversity would thrive.

As I was pursued home the other night, I was thinking more of my own safety than of the sex of my pursuers. Had it been four men following me, or perhaps four men following a female, would the officer have perceived the incident as more serious? Maybe I’m being a bit unfair, but the catch phrase “SAPOL: Keeping SA Safe” just doesn’t seem to cut it.

By Ben Nielsen

Read more of Ben's work at http://www.bennielsen.wordpress.com/

Friday, 12 April 2013

Music is not a hobby, it's a lifestyle

I’ve played trumpet for as long as I can remember. Barely old enough for primary school, I wandered up to my Dad’s bedroom and just started playing ‘Oh When the Saints’. Or so the story goes. 

I received formal tuition throughout primary school, and I went to a secondary school specialising in music education. Music has been kind to me - travel, television appearances and ANZAC Day services are just some of the exciting opportunities it has provided.

However, there’s a false romantic haze surrounding musicians, perhaps assisted by Hollywood and shows like the X Factor. Don’t be fooled by the get-famous-quick culture, it promotes the belief that a musician must possess no more than luck and the ability to look good on stage.

The truth is, I do not lead the life of a rock-star and music is actually a really hard slog.

At uni there are lectures, rehearsals and workshops. In addition to this, there’s at least six hours personal practice. Then there are external rehearsals and performances. It may not be accountancy or medicine, but it’s definitely not a hobby. I am married to my art - it is a lifestyle and a career pathway.
I’ve come to accept that there is no luck involved. To become a professional, one must put in a lifetime’s worth of work. I go through phases of love and hate; bemoaning my abilities, lack of social life, job prospects and the state of the arts. I sometimes worry that my efforts don’t make a positive and tangible contribution to society, but promptly remind myself that there is always a place for the arts and its technicians. Without them, the community would have a bland landscape. 


Thanks to the generous investment of the Pinnacle Foundation and those who assisted my application, I have finally purchased a new trumpet. Previously unattainable because of a lack of funds, I spent nearly four years borrowing inadequate equipment. Thankfully, I will no longer have to experience embarrassing auditions or stunted musical growth.

For me, the purchase of my new Yamaha Chicago C was as significant as buying a house. Besides the obviously enormous expense, they both carry similar notions of a new beginning. This professional standard trumpet is perfect for orchestral work and will encourage my musical development, signaling a transition from student to professional musician.

I begin my final year of undergraduate studies with feelings of excitement and ambition. It’s not just going to be fun and games, but when I feel doubtful, I remind myself of the importance of music. It has the ability to heal and to increase intelligence, evoke love or rage. I sometimes reminisce about my very first musical encounter:

A group of musicians came to perform to my kindergarten class, after which there was a question and answer session. I raised my hand to comment. With my other hand to my chest, I said ‘when you played, I felt it inside me’.

By Ben Nielsen